| "Simply look with perceptive eyes at the | One should really use the camera as though |
| world about you, and trust to your own | tomorrow you'd be stricken blind. |
| reactions and convictions. Ask yourself: | - Dorothea Lange |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography suits the temper of this ageof |
| personal statement of what I feel and want to | active bodies and minds. It is a perfect |
| convey - from the subject before me?" | medium for one whose mind is teeming with |
| - Ansel Adams | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| Above all, it's hard learning to live with vivid | sculpting, for one who sees quickly and acts |
| mental images of scenes I cared for and failed | decisively, accurately. - Edward Weston |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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Los Angeles |
San Antonio |
Baltimore |
Charlotte |
Baton Rouge |
Cleveland |
Houston |
Durham |
Santa Ana |
Fond Du Lac |
Modesto |
Redmond |
Schenectady |
Albany |
Washington |
Wilson |
Homosassa |
Dell Rapids |
New Rochelle |
Artesia |
Dry Ridge |
Jersey City |
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| Memory is very important, the memory of | I think the best pictures are often on the edges |
| each photo taken, flowing at the same speed | of any situation, I don't find photographing the |
| as the event. During the work, you have to be | situation nearly as interesting as |
| sure that you haven't left any holes, that you've | photographing the edges. - William Albert |
| captured everything, because afterwards it will | Allard |
| be too late. - Henri Cartier Bresson | |
| | A room hung with pictures is a room hung with |
| Photography records the gamut of feelings | thoughts. - Sir Joshua Reynolds |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | A great photograph is one that fully expresses |
| wealth and confusion man has created. | what one feels, in the deepest sense, about |
| - Edward Steichen | what is being photographed. - Ansel |
| | Adams |
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