| Keep it simple. - Alfred Eienstaedt | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| Sometimes you can tell a large story with a | - Dorothea Lange |
| tiny subject. - Eliot Porter | |
| | The difficulty with color is to go beyond the |
| A picture is the expression of an impression. If | fact that it's color to have it be not just a |
| the beautiful were not in us, how would we | colorful picture but really be a picture about |
| ever recognize it? - Ernst Haas | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| A great photograph is one that fully expresses | decorative. Some photographers use [ it ] |
| what one feels, in the deepest sense, about | brilliantly to make visual statements combining |
| what is being photographed. - Ansel | color and content; otherwise it is empty. |
| Adams | - Mary Ellen Mark |
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Chicago |
Houston |
Kansas City |
Washington |
Charleston |
Tacoma |
Fresno |
Akron |
Memphis |
Dubuque |
Hayward |
Marietta |
The Woodlands |
La Grange |
Bremerton |
Tuscaloosa |
Williamsburg |
Englewood |
Bonita Springs |
Beaumont |
Leeds |
Arlington |
Clarksburg |
Sandusky |
Shenandoah |
New Britain |
Hermitage |
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| Photography is about finding out what can | Photography is my passion. - Alfred |
| happen in the frame. When you put four | Stieglitz |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Photography takes an instant out of time, |
| earth and skies that man has inherited and the | altering life by holding it still. - Dorothea |
| wealth and confusion man has created. | Lange |
| - Edward Steichen | |
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