| A mad, keen photographer needs to get out | Memory is very important, the memory of |
| into the world and work and make mistakes. | each photo taken, flowing at the same speed |
| - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| The difficulty with color is to go beyond the | captured everything, because afterwards it will |
| fact that it's color to have it be not just a | be too late. - Henri Cartier Bresson |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography records the gamut of feelings |
| caught up in color, and it becomes merely | written on the human face, the beauty of the |
| decorative. Some photographers use [ it ] | earth and skies that man has inherited and the |
| brilliantly to make visual statements combining | wealth and confusion man has created. |
| color and content; otherwise it is empty. | - Edward Steichen |
| - Mary Ellen Mark | |
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Birmingham |
Charlotte |
Rochester |
Orange |
Cherry Hill |
Grand Junction |
Irving |
Gainesville |
Newark |
Cedar Rapids |
Harlingen |
Thornton |
Las Vegas |
Phenix City |
Sanford |
Ely |
Paramus |
Coshocton |
Conyers |
Boyne Falls |
Fairfield |
Honolulu Waikiki, Oahu |
Eagle River |
Mokena |
Eagan |
Decatur |
Atkins |
Midway |
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| Photography takes an instant out of time, | Sometimes you can tell a large story with a |
| altering life by holding it still. - Dorothea | tiny subject. - Eliot Porter |
| Lange | |
| | No place is boring, if you've had a good |
| It is not the language of painters but the | night's sleep and have a pocket full of |
| language of nature which one should listen to. | unexposed film. - Robert Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | A good picture is equivalent to a good deed. |
| pictures. - Vincent Van Gogh | - Vincent Van Gogh |
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