| You can find pictures anywhere. It's simply a | There is nothing worse than a sharp image of |
| matter of noticing things and organizing them. | a fuzzy concept. - Ansel Adams |
| You just have to care about what's around you | |
| and have a concern with humanity and the | [Photography] is a way of feeling, of touching, |
| human comedy. - Elliott Erwitt | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| I think the best pictures are often on the edges | long after you have forgotten everything. |
| of any situation, I don't find photographing the | - Aaron Siskind |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | "Simply look with perceptive eyes at the |
| Allard | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Portland |
Phoenix |
Long Beach |
Nashville |
Philadelphia |
Palo Alto |
Madison |
Waco |
Huntsville |
Hollywood |
Concord |
New Iberia |
Morganton |
Moorhead |
West Covina |
Lisle |
Kingman |
Williamston |
Alliance |
Bowling Green |
Kennesaw |
Elizabethton |
Des Moines |
Zapata |
Eureka |
Farmers Branch |
Jefferson |
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| Photography knows how to authenticate its | One should really use the camera as though |
| misrepresentations. - Mason Cooley | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | My own eyes are no more than scouts on a |
| as the event. During the work, you have to be | preliminary search, for the camera's eye may |
| sure that you haven't left any holes, that you've | entirely change my idea. - Edward |
| captured everything, because afterwards it will | Weston |
| be too late. - Henri Cartier Bresson | |
| | I almost never set out to photograph a |
| | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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