| Photography suits the temper of this ageof | Photography is my passion. - Alfred |
| active bodies and minds. It is a perfect | Stieglitz |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | "Simply look with perceptive eyes at the |
| would be slowed down by painting or | world about you, and trust to your own |
| sculpting, for one who sees quickly and acts | reactions and convictions. Ask yourself: |
| decisively, accurately. - Edward Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| One should really use the camera as though | personal statement of what I feel and want to |
| tomorrow you'd be stricken blind. | convey - from the subject before me?" |
| - Dorothea Lange | - Ansel Adams |
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Indianapolis |
San Antonio |
Pensacola |
Vancouver |
Denver |
Thomasville |
Worcester |
Gardena |
Ames |
Westlake |
Del Mar |
Buena Vista |
Paris |
Bay City |
Bartlesville |
Kutztown |
Hinesville |
Watertown |
Saraland |
North Highlands |
Hillsboro |
Texarkana |
Janesville |
East Dublin |
Fort Lee |
Wisconsin Rapids |
New Kensington |
Meridian |
Poway |
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| Memory is very important, the memory of | I think the best pictures are often on the edges |
| each photo taken, flowing at the same speed | of any situation, I don't find photographing the |
| as the event. During the work, you have to be | situation nearly as interesting as |
| sure that you haven't left any holes, that you've | photographing the edges. - William Albert |
| captured everything, because afterwards it will | Allard |
| be too late. - Henri Cartier Bresson | |
| | A picture is the expression of an impression. If |
| ...words and pictures can work together to | the beautiful were not in us, how would we |
| communicate more powerfully than either | ever recognize it? - Ernst Haas |
| alone. -William Albert Allard | |
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