| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A great photograph is one that fully expresses | "Does this subject move me to feel, think |
| what one feels, in the deepest sense, about | and dream? Can I visualize a print - my own |
| what is being photographed. - Ansel | personal statement of what I feel and want to |
| Adams | convey - from the subject before me?" |
| | - Ansel Adams |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Photography is my passion. - Alfred |
| ever recognize it? - Ernst Haas | Stieglitz |
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New York |
San Antonio |
Austin |
Springfield |
Anderson |
Council Bluffs |
Voorhees |
Sun City |
Orland Park |
Chandler |
Edmonds |
Douglasville |
Chicopee |
Lakewood |
Smithfield |
Exton |
Randolph |
Hutchinson |
San Juan Capistrano |
Gainesville |
Bastrop |
Charleston |
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| I think you have to have a real point of view | My own eyes are no more than scouts on a |
| that's your own. You have to tell it your way. | preliminary search, for the camera's eye may |
| And, I think that it's a mistake to shoot for a | entirely change my idea. - Edward |
| specific magazine's point of view because it's | Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | The virtue of the camera is not the power it |
| believe it. - Mary Ellen Mark | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Photography knows how to authenticate its | looking. - Brooks Anderson |
| misrepresentations. - Mason Cooley | |
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