| Pictures you have taken have an influence on | Sometimes you can tell a large story with a |
| those that you are going to make. | tiny subject. - Eliot Porter |
| That's life! - John Sexton | |
| | A picture is the expression of an impression. If |
| ...words and pictures can work together to | the beautiful were not in us, how would we |
| communicate more powerfully than either | ever recognize it? - Ernst Haas |
| alone. -William Albert Allard | |
| | You learn to see by practice. It's just like |
| Photography is about finding out what can | playing tennis, you get better the more you |
| happen in the frame. When you put four | play. The more you look around at things, the |
| edges around some facts, you change those | more you see. The more you photograph, the |
| facts. - Gary Winogrand | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Dallas |
Cincinnati |
Fort Worth |
Atlanta |
Sacramento |
Flushing |
Las Vegas |
Staten Island |
Clarksburg |
Johnson City |
West Monroe |
Fayetteville |
Bellevue |
Arcola |
Tarrytown |
Vienna |
Allentown |
Westborough |
Barstow |
Marshfield |
Greenville |
Fort Collins |
Edina |
Van Wert |
Le Roy |
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| One should really use the camera as though | There is nothing worse than a sharp image of |
| tomorrow you'd be stricken blind. | a fuzzy concept. - Ansel Adams |
| - Dorothea Lange | |
| | Photography takes an instant out of time, |
| A mad, keen photographer needs to get out | altering life by holding it still. - Dorothea |
| into the world and work and make mistakes. | Lange |
| - Sam Abell | |
| | It is not the language of painters but the |
| The difficulty with color is to go beyond the | language of nature which one should listen to. |
| fact that it's color to have it be not just a | . . . The feeling for the things themselves, for |
| colorful picture but really be a picture about | reality, is more important than the feeling for |
| something. It's difficult. So often color gets | pictures. - Vincent Van Gogh |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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