| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | You learn to see by practice. It's just like |
| personal statement of what I feel and want to | playing tennis, you get better the more you |
| convey - from the subject before me?" | play. The more you look around at things, the |
| - Ansel Adams | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| [Photography] is a way of feeling, of touching, | and what can't be photographed. You just have |
| of loving. What you have caught on film is | to keep doing it. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Philadelphia |
San Francisco |
Orlando |
Irving |
Rochester |
Alexandria |
Garner |
Stillwater |
Lawrence |
Greenville |
Benton |
Salt Lake City |
Malden |
Simi Valley |
Vermillion |
Lincolnton |
Bowling Green |
Omaha |
Everett |
Hermiston |
Richmond |
Macon |
Lincoln |
Duarte |
Madison |
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| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Photography records the gamut of feelings | Weston |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Photography suits the temper of this ageof |
| wealth and confusion man has created. | active bodies and minds. It is a perfect |
| - Edward Steichen | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| Memory is very important, the memory of | would be slowed down by painting or |
| each photo taken, flowing at the same speed | sculpting, for one who sees quickly and acts |
| as the event. During the work, you have to be | decisively, accurately. - Edward Weston |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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