| My own eyes are no more than scouts on a | There is nothing worse than a sharp image of |
| preliminary search, for the camera's eye may | a fuzzy concept. - Ansel Adams |
| entirely change my idea. - Edward | |
| Weston | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| A mad, keen photographer needs to get out | captured forever . . . it remembers little things, |
| into the world and work and make mistakes. | long after you have forgotten everything. |
| - Sam Abell | - Aaron Siskind |
| | |
| The difficulty with color is to go beyond the | Above all, it's hard learning to live with vivid |
| fact that it's color to have it be not just a | mental images of scenes I cared for and failed |
| colorful picture but really be a picture about | to photograph. It is the edgy existence within |
| something. It's difficult. So often color gets | me of these unmade images that is the only |
| caught up in color, and it becomes merely | assurance that the best photographs are yet to |
| decorative. Some photographers use [ it ] | be made. - Sam Abell |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Cincinnati |
Washington |
San Diego |
Las Vegas |
Dallas |
Corpus Christi |
Charlotte |
Honolulu |
Irvine |
Staten Island |
Buffalo |
New Orleans |
Columbus |
Whittier |
Toms River |
Fresno |
Alameda |
Enid |
Roanoke |
Trenton |
Apopka |
Camp Hill |
Hornell |
West Hollywood |
Warren |
Sumter |
Lowell |
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| A great photograph is one that fully expresses | Photography records the gamut of feelings |
| what one feels, in the deepest sense, about | written on the human face, the beauty of the |
| what is being photographed. - Ansel | earth and skies that man has inherited and the |
| Adams | wealth and confusion man has created. |
| | - Edward Steichen |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | Memory is very important, the memory of |
| You just have to care about what's around you | each photo taken, flowing at the same speed |
| and have a concern with humanity and the | as the event. During the work, you have to be |
| human comedy. - Elliott Erwitt | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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