| Memory is very important, the memory of | One should really use the camera as though |
| each photo taken, flowing at the same speed | tomorrow you'd be stricken blind. |
| as the event. During the work, you have to be | - Dorothea Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | The virtue of the camera is not the power it |
| be too late. - Henri Cartier Bresson | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Photography records the gamut of feelings | looking. - Brooks Anderson |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | My own eyes are no more than scouts on a |
| wealth and confusion man has created. | preliminary search, for the camera's eye may |
| - Edward Steichen | entirely change my idea. - Edward |
| | Weston |
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Los Angeles |
Tulsa |
Oklahoma City |
Franklin |
Council Bluffs |
Kilgore |
Yuba City |
Morristown |
Copperas Cove |
Malvern |
Clanton |
Stamford |
Sanford |
Oxford |
Statesville |
Springfield |
Gainesville |
Downers Grove |
Northport |
Independence |
Orlando |
Clearfield |
Palm Springs |
Sauk Centre |
Bell Gardens |
Asbury Park |
Sapphire |
Grove City |
Sutton |
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| "Simply look with perceptive eyes at the | A good picture is equivalent to a good deed. |
| world about you, and trust to your own | - Vincent Van Gogh |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | A great photograph is one that fully expresses |
| and dream? Can I visualize a print - my own | what one feels, in the deepest sense, about |
| personal statement of what I feel and want to | what is being photographed. - Ansel |
| convey - from the subject before me?" | Adams |
| - Ansel Adams | |
| | You learn to see by practice. It's just like |
| Now to consult the rules of composition before | playing tennis, you get better the more you |
| making a picture is a little like consulting the | play. The more you look around at things, the |
| law of gravitation before going for a walk. | more you see. The more you photograph, the |
| Such rules and laws are deduced from the | more you realize what can be photographed |
| accomplished fact; they are the products of | and what can't be photographed. You just have |
| reflection . . . - Edward Weston | to keep doing it. - Eliot Porter |
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