| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| You can find pictures anywhere. It's simply a | captured everything, because afterwards it will |
| matter of noticing things and organizing them. | be too late. - Henri Cartier Bresson |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Photography is a major force in explaining |
| human comedy. - Elliott Erwitt | man to man. - Edward Steichen |
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Dallas |
Phoenix |
Philadelphia |
Tampa |
Chicago |
Virginia Beach |
St. Joseph |
Brookhaven |
Boulder |
Owatonna |
Gadsden |
Allen |
Morganton |
Canton |
Shoreview |
Asheville |
Minnetonka |
Scottsbluff |
Erwin |
Blue Springs |
Oak Brook Terrace |
Lakewood |
Chelsea |
Raynham |
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| The difficulty with color is to go beyond the | Photography takes an instant out of time, |
| fact that it's color to have it be not just a | altering life by holding it still. - Dorothea |
| colorful picture but really be a picture about | Lange |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | It is not the language of painters but the |
| decorative. Some photographers use [ it ] | language of nature which one should listen to. |
| brilliantly to make visual statements combining | . . . The feeling for the things themselves, for |
| color and content; otherwise it is empty. | reality, is more important than the feeling for |
| - Mary Ellen Mark | pictures. - Vincent Van Gogh |
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