| I think you have to have a real point of view | Photography takes an instant out of time, |
| that's your own. You have to tell it your way. | altering life by holding it still. - Dorothea |
| And, I think that it's a mistake to shoot for a | Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Above all, it's hard learning to live with vivid |
| for yourself and photograph [the way] you | mental images of scenes I cared for and failed |
| believe it. - Mary Ellen Mark | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| You've got to push yourself harder. You've got | assurance that the best photographs are yet to |
| to start looking for pictures nobody else could | be made. - Sam Abell |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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Miami |
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| A room hung with pictures is a room hung with | My own eyes are no more than scouts on a |
| thoughts. - Sir Joshua Reynolds | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| No place is boring, if you've had a good | Weston |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| Keep it simple. - Alfred Eienstaedt | |
| | One should really use the camera as though |
| I think the best pictures are often on the edges | tomorrow you'd be stricken blind. |
| of any situation, I don't find photographing the | - Dorothea Lange |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
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