| Sometimes you can tell a large story with a | The camera makes everyone a tourist in other |
| tiny subject. - Eliot Porter | people's reality. - Susan Sontag |
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| I think the best pictures are often on the edges | One should really use the camera as though |
| of any situation, I don't find photographing the | tomorrow you'd be stricken blind. |
| situation nearly as interesting as | - Dorothea Lange |
| photographing the edges. - William Albert | |
| Allard | Photography suits the temper of this ageof |
| | active bodies and minds. It is a perfect |
| No place is boring, if you've had a good | medium for one whose mind is teeming with |
| night's sleep and have a pocket full of | ideas, imagery, for a prolific worker who |
| unexposed film. - Robert Adams | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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| Photography is a major force in explaining | Now to consult the rules of composition before |
| man to man. - Edward Steichen | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| ...words and pictures can work together to | Such rules and laws are deduced from the |
| communicate more powerfully than either | accomplished fact; they are the products of |
| alone. -William Albert Allard | reflection . . . - Edward Weston |
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| I think you have to have a real point of view | "Simply look with perceptive eyes at the |
| that's your own. You have to tell it your way. | world about you, and trust to your own |
| And, I think that it's a mistake to shoot for a | reactions and convictions. Ask yourself: |
| specific magazine's point of view because it's | "Does this subject move me to feel, think |
| never going to be as good. You have to shoot | and dream? Can I visualize a print - my own |
| for yourself and photograph [the way] you | personal statement of what I feel and want to |
| believe it. - Mary Ellen Mark | convey - from the subject before me?" |
| | - Ansel Adams |
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