| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
| | |
| Photography is about finding out what can | "Simply look with perceptive eyes at the |
| happen in the frame. When you put four | world about you, and trust to your own |
| edges around some facts, you change those | reactions and convictions. Ask yourself: |
| facts. - Gary Winogrand | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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New York |
Houston |
Los Angeles |
Las Vegas |
Raleigh |
Akron |
Chattanooga |
Wilmington |
Indianapolis |
Miami |
Coral Springs |
Johnson City |
Boston |
Birmingham |
Palm Springs |
Ashland |
Pinellas Park |
Kailua Kona |
Augusta |
Countryside |
Saginaw |
Porterville |
Batesville |
Chesapeake |
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| No place is boring, if you've had a good | The camera makes everyone a tourist in other |
| night's sleep and have a pocket full of | people's reality. - Susan Sontag |
| unexposed film. - Robert Adams | |
| | One should really use the camera as though |
| You can find pictures anywhere. It's simply a | tomorrow you'd be stricken blind. |
| matter of noticing things and organizing them. | - Dorothea Lange |
| You just have to care about what's around you | |
| and have a concern with humanity and the | The difficulty with color is to go beyond the |
| human comedy. - Elliott Erwitt | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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