| "Simply look with perceptive eyes at the | Pictures you have taken have an influence on |
| world about you, and trust to your own | those that you are going to make. |
| reactions and convictions. Ask yourself: | That's life! - John Sexton |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | I think you have to have a real point of view |
| personal statement of what I feel and want to | that's your own. You have to tell it your way. |
| convey - from the subject before me?" | And, I think that it's a mistake to shoot for a |
| - Ansel Adams | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| Once photography enters your bloodstream, | for yourself and photograph [the way] you |
| it's like a disease. - Anon | believe it. - Mary Ellen Mark |
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| Photography suits the temper of this ageof | You learn to see by practice. It's just like |
| active bodies and minds. It is a perfect | playing tennis, you get better the more you |
| medium for one whose mind is teeming with | play. The more you look around at things, the |
| ideas, imagery, for a prolific worker who | more you see. The more you photograph, the |
| would be slowed down by painting or | more you realize what can be photographed |
| sculpting, for one who sees quickly and acts | and what can't be photographed. You just have |
| decisively, accurately. - Edward Weston | to keep doing it. - Eliot Porter |
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| The camera makes everyone a tourist in other | A great photograph is one that fully expresses |
| people's reality. - Susan Sontag | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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