| You've got to push yourself harder. You've got | A good picture is equivalent to a good deed. |
| to start looking for pictures nobody else could | - Vincent Van Gogh |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| Photography is a major force in explaining | ever recognize it? - Ernst Haas |
| man to man. - Edward Steichen | |
| | No place is boring, if you've had a good |
| ...words and pictures can work together to | night's sleep and have a pocket full of |
| communicate more powerfully than either | unexposed film. - Robert Adams |
| alone. -William Albert Allard | |
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Chicago |
Yonkers |
Aurora |
Savannah |
Honolulu |
Newport News |
Pittsburgh |
Norman |
Minneapolis |
Burbank |
Cleveland |
Greenville |
Warren |
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Warsaw |
Kenmore |
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Warner Robins |
Middleburg Heights |
Elk Grove |
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| The virtue of the camera is not the power it | Once photography enters your bloodstream, |
| has to transform the photographer into an | it's like a disease. - Anon |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| The camera makes everyone a tourist in other | captured forever . . . it remembers little things, |
| people's reality. - Susan Sontag | long after you have forgotten everything. |
| | - Aaron Siskind |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Now to consult the rules of composition before |
| colorful picture but really be a picture about | making a picture is a little like consulting the |
| something. It's difficult. So often color gets | law of gravitation before going for a walk. |
| caught up in color, and it becomes merely | Such rules and laws are deduced from the |
| decorative. Some photographers use [ it ] | accomplished fact; they are the products of |
| brilliantly to make visual statements combining | reflection . . . - Edward Weston |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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