| A picture is the expression of an impression. If | [Photography] is a way of feeling, of touching, |
| the beautiful were not in us, how would we | of loving. What you have caught on film is |
| ever recognize it? - Ernst Haas | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| Keep it simple. - Alfred Eienstaedt | - Aaron Siskind |
| | |
| A great photograph is one that fully expresses | Above all, it's hard learning to live with vivid |
| what one feels, in the deepest sense, about | mental images of scenes I cared for and failed |
| what is being photographed. - Ansel | to photograph. It is the edgy existence within |
| Adams | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
|
|
Houston |
Clearwater |
Miami |
Gainesville |
Orange Park |
Jamestown |
Albuquerque |
Hagerstown |
Beaufort |
Venice |
Port Angeles |
Athens |
Lake Geneva |
Cohasset |
Lexington |
Youngstown |
Crestview |
Blaine |
Mukwonago |
Oak Park |
Holyoke |
Middletown |
Cedar Rapids |
Mukilteo |
Manistique |
|
|
| I think you have to have a real point of view | One should really use the camera as though |
| that's your own. You have to tell it your way. | tomorrow you'd be stricken blind. |
| And, I think that it's a mistake to shoot for a | - Dorothea Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | My own eyes are no more than scouts on a |
| for yourself and photograph [the way] you | preliminary search, for the camera's eye may |
| believe it. - Mary Ellen Mark | entirely change my idea. - Edward |
| | Weston |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | A mad, keen photographer needs to get out |
| as the event. During the work, you have to be | into the world and work and make mistakes. |
| sure that you haven't left any holes, that you've | - Sam Abell |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|