| [Photography] is a way of feeling, of touching, | You've got to push yourself harder. You've got |
| of loving. What you have caught on film is | to start looking for pictures nobody else could |
| captured forever . . . it remembers little things, | take. You've got to take the tools you have and |
| long after you have forgotten everything. | probe deeper. - William Albert Allard |
| - Aaron Siskind | |
| | Photography records the gamut of feelings |
| Once photography enters your bloodstream, | written on the human face, the beauty of the |
| it's like a disease. - Anon | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Now to consult the rules of composition before | - Edward Steichen |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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Nashville |
Lubbock |
Las Vegas |
West Palm Beach |
Ocala |
Dallas |
Portland |
Abilene |
Beaverton |
Newport |
Park Ridge |
Marshall |
Biloxi |
Fayetteville |
Greeley |
Charleston |
Nashua |
Redding |
Belfast |
Lombard |
Heflin |
Big Rapids |
Potosi |
Elberton |
Batesville |
Roosevelt |
Lakeville |
Prescott Valley |
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| I think the best pictures are often on the edges | Photography suits the temper of this ageof |
| of any situation, I don't find photographing the | active bodies and minds. It is a perfect |
| situation nearly as interesting as | medium for one whose mind is teeming with |
| photographing the edges. - William Albert | ideas, imagery, for a prolific worker who |
| Allard | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| You learn to see by practice. It's just like | decisively, accurately. - Edward Weston |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | One should really use the camera as though |
| more you see. The more you photograph, the | tomorrow you'd be stricken blind. |
| more you realize what can be photographed | - Dorothea Lange |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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