| No place is boring, if you've had a good | Photography takes an instant out of time, |
| night's sleep and have a pocket full of | altering life by holding it still. - Dorothea |
| unexposed film. - Robert Adams | Lange |
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| You can find pictures anywhere. It's simply a | It is not the language of painters but the |
| matter of noticing things and organizing them. | language of nature which one should listen to. |
| You just have to care about what's around you | . . . The feeling for the things themselves, for |
| and have a concern with humanity and the | reality, is more important than the feeling for |
| human comedy. - Elliott Erwitt | pictures. - Vincent Van Gogh |
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Chicago |
Baltimore |
Colorado Springs |
Lincoln |
Providence |
Woodland Hills |
Dorchester |
Norman |
Winona |
Niagara Falls |
Fresno |
Georgetown |
West Jordan |
Rochester |
Redmond |
Bath |
Polson |
Livonia |
Marco Island |
La Grande |
Quincy |
Chelmsford |
Southington |
Faith |
Brooklyn Park |
Glendale |
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| The difficulty with color is to go beyond the | Pictures you have taken have an influence on |
| fact that it's color to have it be not just a | those that you are going to make. |
| colorful picture but really be a picture about | That's life! - John Sexton |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography is a major force in explaining |
| decorative. Some photographers use [ it ] | man to man. - Edward Steichen |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Memory is very important, the memory of |
| - Mary Ellen Mark | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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