| [Photography] is a way of feeling, of touching, | You can find pictures anywhere. It's simply a |
| of loving. What you have caught on film is | matter of noticing things and organizing them. |
| captured forever . . . it remembers little things, | You just have to care about what's around you |
| long after you have forgotten everything. | and have a concern with humanity and the |
| - Aaron Siskind | human comedy. - Elliott Erwitt |
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| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
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Houston |
Tampa |
Des Moines |
Nashville |
Fort Worth |
Boca Raton |
Jackson |
Chesapeake |
Lorain |
Hammond |
San Antonio |
Tyler |
Covington |
Lake City |
Southfield |
North Vernon |
Fairbanks |
Ozark |
Cocoa |
Pella |
Petoskey |
Kutztown |
Grand Blanc |
Sulphur Springs |
Lake Havasu City |
East Brunswick |
Katy |
Lacey |
Avila Beach |
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| Photography knows how to authenticate its | Photography suits the temper of this ageof |
| misrepresentations. - Mason Cooley | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| Pictures you have taken have an influence on | ideas, imagery, for a prolific worker who |
| those that you are going to make. | would be slowed down by painting or |
| That's life! - John Sexton | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The difficulty with color is to go beyond the |
| earth and skies that man has inherited and the | fact that it's color to have it be not just a |
| wealth and confusion man has created. | colorful picture but really be a picture about |
| - Edward Steichen | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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