| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | The difficulty with color is to go beyond the |
| and dream? Can I visualize a print - my own | fact that it's color to have it be not just a |
| personal statement of what I feel and want to | colorful picture but really be a picture about |
| convey - from the subject before me?" | something. It's difficult. So often color gets |
| - Ansel Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| There is nothing worse than a sharp image of | brilliantly to make visual statements combining |
| a fuzzy concept. - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Chicago |
San Diego |
Jacksonville |
Santa Ana |
Baton Rouge |
West Palm Beach |
Austin |
Stamford |
Slidell |
Arlington |
Wichita |
Gastonia |
Jensen Beach |
Muscle Shoals |
Hemphill |
Chapel Hill |
Marion |
Scottsboro |
Norwalk |
Moses Lake |
Omaha |
Glendale |
Liberal |
Anacortes |
Torrance |
Monticello |
Bryan |
Plymouth |
Spring Lake |
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| Pictures you have taken have an influence on | A picture is the expression of an impression. If |
| those that you are going to make. | the beautiful were not in us, how would we |
| That's life! - John Sexton | ever recognize it? - Ernst Haas |
| | |
| Photography knows how to authenticate its | You learn to see by practice. It's just like |
| misrepresentations. - Mason Cooley | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| ...words and pictures can work together to | more you see. The more you photograph, the |
| communicate more powerfully than either | more you realize what can be photographed |
| alone. -William Albert Allard | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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