| It is not the language of painters but the | Photography is about finding out what can |
| language of nature which one should listen to. | happen in the frame. When you put four |
| . . . The feeling for the things themselves, for | edges around some facts, you change those |
| reality, is more important than the feeling for | facts. - Gary Winogrand |
| pictures. - Vincent Van Gogh | |
| | I think you have to have a real point of view |
| Once photography enters your bloodstream, | that's your own. You have to tell it your way. |
| it's like a disease. - Anon | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| There is nothing worse than a sharp image of | never going to be as good. You have to shoot |
| a fuzzy concept. - Ansel Adams | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Austin |
Seattle |
St. Louis |
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Houston |
Miami |
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| I think the best pictures are often on the edges | The difficulty with color is to go beyond the |
| of any situation, I don't find photographing the | fact that it's color to have it be not just a |
| situation nearly as interesting as | colorful picture but really be a picture about |
| photographing the edges. - William Albert | something. It's difficult. So often color gets |
| Allard | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Keep it simple. - Alfred Eienstaedt | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| No place is boring, if you've had a good | - Mary Ellen Mark |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | |
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