| Memory is very important, the memory of | A mad, keen photographer needs to get out |
| each photo taken, flowing at the same speed | into the world and work and make mistakes. |
| as the event. During the work, you have to be | - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Photography suits the temper of this ageof |
| be too late. - Henri Cartier Bresson | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| ...words and pictures can work together to | ideas, imagery, for a prolific worker who |
| communicate more powerfully than either | would be slowed down by painting or |
| alone. -William Albert Allard | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Chicago |
Houston |
Washington |
Cincinnati |
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Detroit |
Des Moines |
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Cleveland |
Topeka |
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Darien |
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Starke |
Sault Ste Marie |
Tuba City |
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| No place is boring, if you've had a good | There is nothing worse than a sharp image of |
| night's sleep and have a pocket full of | a fuzzy concept. - Ansel Adams |
| unexposed film. - Robert Adams | |
| | It is not the language of painters but the |
| I think the best pictures are often on the edges | language of nature which one should listen to. |
| of any situation, I don't find photographing the | . . . The feeling for the things themselves, for |
| situation nearly as interesting as | reality, is more important than the feeling for |
| photographing the edges. - William Albert | pictures. - Vincent Van Gogh |
| Allard | |
| | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
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