| A room hung with pictures is a room hung with | Photography records the gamut of feelings |
| thoughts. - Sir Joshua Reynolds | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| Sometimes you can tell a large story with a | wealth and confusion man has created. |
| tiny subject. - Eliot Porter | - Edward Steichen |
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| A good picture is equivalent to a good deed. | Photography is a major force in explaining |
| - Vincent Van Gogh | man to man. - Edward Steichen |
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| You learn to see by practice. It's just like | Photography is about finding out what can |
| playing tennis, you get better the more you | happen in the frame. When you put four |
| play. The more you look around at things, the | edges around some facts, you change those |
| more you see. The more you photograph, the | facts. - Gary Winogrand |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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New York |
Los Angeles |
Tampa |
Denver |
Washington |
Tucson |
Nashville |
Shreveport |
Pittsburgh |
Shelby |
Stamford |
Fontana |
Wheeling |
Lancaster |
Dallas |
Hartsville |
Gallipolis |
Homosassa |
Racine |
Clarksville |
Lake Oswego |
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| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | A mad, keen photographer needs to get out |
| "Simply look with perceptive eyes at the | into the world and work and make mistakes. |
| world about you, and trust to your own | - Sam Abell |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | One should really use the camera as though |
| and dream? Can I visualize a print - my own | tomorrow you'd be stricken blind. |
| personal statement of what I feel and want to | - Dorothea Lange |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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