| There is nothing worse than a sharp image of | One should really use the camera as though |
| a fuzzy concept. - Ansel Adams | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | A mad, keen photographer needs to get out |
| reactions and convictions. Ask yourself: | into the world and work and make mistakes. |
| "Does this subject move me to feel, think | - Sam Abell |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography suits the temper of this ageof |
| convey - from the subject before me?" | active bodies and minds. It is a perfect |
| - Ansel Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
San Antonio |
Scottsdale |
El Paso |
Charlotte |
Warren |
Longwood |
Orlando |
Boulder |
Sherman Oaks |
Glendale |
Kalispell |
Cabot |
Plantation |
Buford |
San Mateo |
Marysville |
Douglasville |
Aventura |
Bangor |
Addison |
Oneida |
Des Moines |
Rock Falls |
Lawrenceville |
Onamia |
|
|
| Photography knows how to authenticate its | A good picture is equivalent to a good deed. |
| misrepresentations. - Mason Cooley | - Vincent Van Gogh |
| | |
| Photography is a major force in explaining | Sometimes you can tell a large story with a |
| man to man. - Edward Steichen | tiny subject. - Eliot Porter |
| | |
| Photography records the gamut of feelings | You can find pictures anywhere. It's simply a |
| written on the human face, the beauty of the | matter of noticing things and organizing them. |
| earth and skies that man has inherited and the | You just have to care about what's around you |
| wealth and confusion man has created. | and have a concern with humanity and the |
| - Edward Steichen | human comedy. - Elliott Erwitt |
|