| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| I think the best pictures are often on the edges | long after you have forgotten everything. |
| of any situation, I don't find photographing the | - Aaron Siskind |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | It is not the language of painters but the |
| Allard | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| You can find pictures anywhere. It's simply a | reality, is more important than the feeling for |
| matter of noticing things and organizing them. | pictures. - Vincent Van Gogh |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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| Photography records the gamut of feelings | The difficulty with color is to go beyond the |
| written on the human face, the beauty of the | fact that it's color to have it be not just a |
| earth and skies that man has inherited and the | colorful picture but really be a picture about |
| wealth and confusion man has created. | something. It's difficult. So often color gets |
| - Edward Steichen | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| ...words and pictures can work together to | brilliantly to make visual statements combining |
| communicate more powerfully than either | color and content; otherwise it is empty. |
| alone. -William Albert Allard | - Mary Ellen Mark |
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