| You can find pictures anywhere. It's simply a | Photography is my passion. - Alfred |
| matter of noticing things and organizing them. | Stieglitz |
| You just have to care about what's around you | |
| and have a concern with humanity and the | "Simply look with perceptive eyes at the |
| human comedy. - Elliott Erwitt | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A good picture is equivalent to a good deed. | "Does this subject move me to feel, think |
| - Vincent Van Gogh | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| I think the best pictures are often on the edges | convey - from the subject before me?" |
| of any situation, I don't find photographing the | - Ansel Adams |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
|
|
Philadelphia |
Brooklyn |
Bronx |
Oklahoma City |
Mesa |
Modesto |
Toms River |
Boca Raton |
Covington |
Acworth |
Hemet |
Beaumont |
Cody |
Ripley |
Perryville |
Humboldt |
League City |
Montrose |
Johnson City |
Simpsonville |
Spring Lake |
Overland Park |
|
|
| Photography records the gamut of feelings | My own eyes are no more than scouts on a |
| written on the human face, the beauty of the | preliminary search, for the camera's eye may |
| earth and skies that man has inherited and the | entirely change my idea. - Edward |
| wealth and confusion man has created. | Weston |
| - Edward Steichen | |
| | The camera makes everyone a tourist in other |
| Memory is very important, the memory of | people's reality. - Susan Sontag |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | The difficulty with color is to go beyond the |
| sure that you haven't left any holes, that you've | fact that it's color to have it be not just a |
| captured everything, because afterwards it will | colorful picture but really be a picture about |
| be too late. - Henri Cartier Bresson | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|