| ...words and pictures can work together to | My own eyes are no more than scouts on a |
| communicate more powerfully than either | preliminary search, for the camera's eye may |
| alone. -William Albert Allard | entirely change my idea. - Edward |
| | Weston |
| Photography is about finding out what can | |
| happen in the frame. When you put four | The difficulty with color is to go beyond the |
| edges around some facts, you change those | fact that it's color to have it be not just a |
| facts. - Gary Winogrand | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| You've got to push yourself harder. You've got | caught up in color, and it becomes merely |
| to start looking for pictures nobody else could | decorative. Some photographers use [ it ] |
| take. You've got to take the tools you have and | brilliantly to make visual statements combining |
| probe deeper. - William Albert Allard | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Houston |
Phoenix |
Cleveland |
Baton Rouge |
Boise |
St. Paul |
Southfield |
Fort Collins |
Sumter |
Rome |
Sarasota |
Redondo Beach |
Yonkers |
Statesboro |
Austin |
Pasadena |
Tracy |
Blacksburg |
Fremont |
Redwood City |
Mount Laurel |
New Bedford |
Endicott |
Greenville |
Greenwood |
Indianapolis |
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| No place is boring, if you've had a good | It is not the language of painters but the |
| night's sleep and have a pocket full of | language of nature which one should listen to. |
| unexposed film. - Robert Adams | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| A picture is the expression of an impression. If | pictures. - Vincent Van Gogh |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| I think the best pictures are often on the edges | reactions and convictions. Ask yourself: |
| of any situation, I don't find photographing the | "Does this subject move me to feel, think |
| situation nearly as interesting as | and dream? Can I visualize a print - my own |
| photographing the edges. - William Albert | personal statement of what I feel and want to |
| Allard | convey - from the subject before me?" |
| | - Ansel Adams |
|