| [Photography] is a way of feeling, of touching, | Sometimes you can tell a large story with a |
| of loving. What you have caught on film is | tiny subject. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A picture is the expression of an impression. If |
| - Aaron Siskind | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Dallas |
Atlanta |
New Port Richey |
Racine |
Danville |
Hazlehurst |
Palm Harbor |
Livingston |
Erwin |
Clackamas |
Auburn |
Niles |
Winder |
Fremont |
Burbank |
Bridgeport |
Franklin |
El Monte |
Ludington |
Bruswick |
Hazlet |
Benton |
Shenandoah |
Averill Park |
Suffolk |
La Grande |
Montgomery |
Fairbanks |
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| Pictures you have taken have an influence on | Photography suits the temper of this ageof |
| those that you are going to make. | active bodies and minds. It is a perfect |
| That's life! - John Sexton | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| Photography is a major force in explaining | would be slowed down by painting or |
| man to man. - Edward Steichen | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A mad, keen photographer needs to get out |
| earth and skies that man has inherited and the | into the world and work and make mistakes. |
| wealth and confusion man has created. | - Sam Abell |
| - Edward Steichen | |
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