| A picture is the expression of an impression. If | A mad, keen photographer needs to get out |
| the beautiful were not in us, how would we | into the world and work and make mistakes. |
| ever recognize it? - Ernst Haas | - Sam Abell |
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| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
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New York |
Seattle |
Fort Lauderdale |
Raleigh |
San Jose |
Lafayette |
Chicago |
Evansville |
Sacramento |
Jackson |
Hartford |
Hilton Head Island |
Santa Fe |
Lafayette |
Clifton Park |
Oakland |
Edina |
Winter Haven |
Moulton |
Revere |
Eau Claire |
Lawrence |
Mission |
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| "Simply look with perceptive eyes at the | Photography records the gamut of feelings |
| world about you, and trust to your own | written on the human face, the beauty of the |
| reactions and convictions. Ask yourself: | earth and skies that man has inherited and the |
| "Does this subject move me to feel, think | wealth and confusion man has created. |
| and dream? Can I visualize a print - my own | - Edward Steichen |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | I think you have to have a real point of view |
| - Ansel Adams | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| Photography takes an instant out of time, | specific magazine's point of view because it's |
| altering life by holding it still. - Dorothea | never going to be as good. You have to shoot |
| Lange | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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