| Photography suits the temper of this ageof | Photography knows how to authenticate its |
| active bodies and minds. It is a perfect | misrepresentations. - Mason Cooley |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Memory is very important, the memory of |
| would be slowed down by painting or | each photo taken, flowing at the same speed |
| sculpting, for one who sees quickly and acts | as the event. During the work, you have to be |
| decisively, accurately. - Edward Weston | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| One should really use the camera as though | be too late. - Henri Cartier Bresson |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
|
|
Chicago |
Tucson |
Tulsa |
Sacramento |
Oakland |
Grand Rapids |
Columbus |
Woodbridge |
Canoga Park |
East Liverpool |
Long Island City |
Encinitas |
Batesville |
Port Charlotte |
Plano |
Batesville |
Corsicana |
Arlington Heights |
Wentzville |
Turlock |
Peru |
Bethel |
Mount Pleasant |
Hollister |
Maple Grove |
|
|
| Keep it simple. - Alfred Eienstaedt | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| You can find pictures anywhere. It's simply a | law of gravitation before going for a walk. |
| matter of noticing things and organizing them. | Such rules and laws are deduced from the |
| You just have to care about what's around you | accomplished fact; they are the products of |
| and have a concern with humanity and the | reflection . . . - Edward Weston |
| human comedy. - Elliott Erwitt | |
| | There is nothing worse than a sharp image of |
| A picture is the expression of an impression. If | a fuzzy concept. - Ansel Adams |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
|