| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | I think you have to have a real point of view |
| caught up in color, and it becomes merely | that's your own. You have to tell it your way. |
| decorative. Some photographers use [ it ] | And, I think that it's a mistake to shoot for a |
| brilliantly to make visual statements combining | specific magazine's point of view because it's |
| color and content; otherwise it is empty. | never going to be as good. You have to shoot |
| - Mary Ellen Mark | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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San Antonio |
Colorado Springs |
Atlanta |
Kansas City |
Dallas |
Austin |
Indianapolis |
New York |
Kansas City |
West Palm Beach |
Peoria |
Pocatello |
Oak Lawn |
Pittsburgh |
Gulf Breeze |
Monticello |
Rosemead |
Monticello |
Hoboken |
Jefferson |
Kona |
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| Keep it simple. - Alfred Eienstaedt | It is not the language of painters but the |
| | language of nature which one should listen to. |
| A picture is the expression of an impression. If | . . . The feeling for the things themselves, for |
| the beautiful were not in us, how would we | reality, is more important than the feeling for |
| ever recognize it? - Ernst Haas | pictures. - Vincent Van Gogh |
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| You can find pictures anywhere. It's simply a | There is nothing worse than a sharp image of |
| matter of noticing things and organizing them. | a fuzzy concept. - Ansel Adams |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Photography takes an instant out of time, |
| human comedy. - Elliott Erwitt | altering life by holding it still. - Dorothea |
| | Lange |
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