| Photography is about finding out what can | "Simply look with perceptive eyes at the |
| happen in the frame. When you put four | world about you, and trust to your own |
| edges around some facts, you change those | reactions and convictions. Ask yourself: |
| facts. - Gary Winogrand | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| I think you have to have a real point of view | personal statement of what I feel and want to |
| that's your own. You have to tell it your way. | convey - from the subject before me?" |
| And, I think that it's a mistake to shoot for a | - Ansel Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | There is nothing worse than a sharp image of |
| for yourself and photograph [the way] you | a fuzzy concept. - Ansel Adams |
| believe it. - Mary Ellen Mark | |
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Houston |
San Antonio |
Tampa |
Memphis |
Jacksonville |
Wichita |
San Francisco |
Quincy |
Pompano Beach |
Cranston |
Plantation |
Grand Prairie |
Macon |
Staten Island |
La Grange |
Methuen |
Dedham |
Dunn |
Asheville |
Bozeman |
Hilton Head Island |
Harriman |
Columbus |
Sugar Land |
Longboat Key |
Auburn |
Layton |
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| Sometimes you can tell a large story with a | Photography suits the temper of this ageof |
| tiny subject. - Eliot Porter | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| You learn to see by practice. It's just like | ideas, imagery, for a prolific worker who |
| playing tennis, you get better the more you | would be slowed down by painting or |
| play. The more you look around at things, the | sculpting, for one who sees quickly and acts |
| more you see. The more you photograph, the | decisively, accurately. - Edward Weston |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | One should really use the camera as though |
| to keep doing it. - Eliot Porter | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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