| Sometimes you can tell a large story with a | Above all, it's hard learning to live with vivid |
| tiny subject. - Eliot Porter | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| A great photograph is one that fully expresses | me of these unmade images that is the only |
| what one feels, in the deepest sense, about | assurance that the best photographs are yet to |
| what is being photographed. - Ansel | be made. - Sam Abell |
| Adams | |
| | "Simply look with perceptive eyes at the |
| I think the best pictures are often on the edges | world about you, and trust to your own |
| of any situation, I don't find photographing the | reactions and convictions. Ask yourself: |
| situation nearly as interesting as | "Does this subject move me to feel, think |
| photographing the edges. - William Albert | and dream? Can I visualize a print - my own |
| Allard | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Seattle |
Shreveport |
Cincinnati |
Baton Rouge |
Stuart |
Orange |
Charlottesville |
Altoona |
Zephyrhills |
Carlsbad |
High Point |
Nacogdoches |
St. Joseph |
Sherman Oaks |
Hoboken |
Louisville |
Sturgis |
North Syracuse |
Springfield |
Crescent City |
Friday Harbor |
Thomasville |
Brooklawn |
Merrillville |
Dixon |
St. Louis Park |
Loudon |
Countryside |
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| My own eyes are no more than scouts on a | Photography records the gamut of feelings |
| preliminary search, for the camera's eye may | written on the human face, the beauty of the |
| entirely change my idea. - Edward | earth and skies that man has inherited and the |
| Weston | wealth and confusion man has created. |
| | - Edward Steichen |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | ...words and pictures can work together to |
| - Sam Abell | communicate more powerfully than either |
| | alone. -William Albert Allard |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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