| Keep it simple. - Alfred Eienstaedt | It is not the language of painters but the |
| | language of nature which one should listen to. |
| No place is boring, if you've had a good | . . . The feeling for the things themselves, for |
| night's sleep and have a pocket full of | reality, is more important than the feeling for |
| unexposed film. - Robert Adams | pictures. - Vincent Van Gogh |
| | |
| A great photograph is one that fully expresses | [Photography] is a way of feeling, of touching, |
| what one feels, in the deepest sense, about | of loving. What you have caught on film is |
| what is being photographed. - Ansel | captured forever . . . it remembers little things, |
| Adams | long after you have forgotten everything. |
| | - Aaron Siskind |
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Oklahoma City |
Staten Island |
Davenport |
Boston |
Florence |
San Pedro |
Chapel Hill |
Bolingbrook |
Columbus |
Charlotte |
Dublin |
Lenoir |
Vernon Hills |
Milford |
Savannah |
New Britain |
Cherokee |
Mendota |
Whitmore Lake |
Homestead |
St Charles |
Kitty Hawk |
Alma |
Willoughby |
Claremont |
Tuscaloosa |
Douglas |
Dresden |
Camarillo |
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| One should really use the camera as though | ...words and pictures can work together to |
| tomorrow you'd be stricken blind. | communicate more powerfully than either |
| - Dorothea Lange | alone. -William Albert Allard |
| | |
| A mad, keen photographer needs to get out | I think you have to have a real point of view |
| into the world and work and make mistakes. | that's your own. You have to tell it your way. |
| - Sam Abell | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| The difficulty with color is to go beyond the | never going to be as good. You have to shoot |
| fact that it's color to have it be not just a | for yourself and photograph [the way] you |
| colorful picture but really be a picture about | believe it. - Mary Ellen Mark |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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