| Once photography enters your bloodstream, | Keep it simple. - Alfred Eienstaedt |
| it's like a disease. - Anon | |
| | Sometimes you can tell a large story with a |
| "Simply look with perceptive eyes at the | tiny subject. - Eliot Porter |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | You can find pictures anywhere. It's simply a |
| "Does this subject move me to feel, think | matter of noticing things and organizing them. |
| and dream? Can I visualize a print - my own | You just have to care about what's around you |
| personal statement of what I feel and want to | and have a concern with humanity and the |
| convey - from the subject before me?" | human comedy. - Elliott Erwitt |
| - Ansel Adams | |
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Philadelphia |
Honolulu |
Memphis |
Arlington |
Detroit |
Spokane |
Virginia Beach |
Anchorage |
Cherry Hill |
Middletown |
Sewickley |
Pulaski |
Bloomington |
Seymour |
Talladega |
Pennsville |
Hereford |
Buena Park |
Fort Valley |
Temple Terrace |
Grand Junction |
Mount Joy |
Costa Mesa |
Baraboo |
Robinsonville |
Thornton |
Morton |
Dawsonville |
Crestwood |
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| The camera makes everyone a tourist in other | Photography knows how to authenticate its |
| people's reality. - Susan Sontag | misrepresentations. - Mason Cooley |
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| The difficulty with color is to go beyond the | You've got to push yourself harder. You've got |
| fact that it's color to have it be not just a | to start looking for pictures nobody else could |
| colorful picture but really be a picture about | take. You've got to take the tools you have and |
| something. It's difficult. So often color gets | probe deeper. - William Albert Allard |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Memory is very important, the memory of |
| brilliantly to make visual statements combining | each photo taken, flowing at the same speed |
| color and content; otherwise it is empty. | as the event. During the work, you have to be |
| - Mary Ellen Mark | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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