| Photography records the gamut of feelings | "Simply look with perceptive eyes at the |
| written on the human face, the beauty of the | world about you, and trust to your own |
| earth and skies that man has inherited and the | reactions and convictions. Ask yourself: |
| wealth and confusion man has created. | "Does this subject move me to feel, think |
| - Edward Steichen | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| ...words and pictures can work together to | convey - from the subject before me?" |
| communicate more powerfully than either | - Ansel Adams |
| alone. -William Albert Allard | |
| | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Chicago |
Los Angeles |
Phoenix |
Tampa |
Virginia Beach |
Milwaukee |
Durham |
Tyler |
Corpus Christi |
Flint |
Sugar Land |
Morristown |
Bremerton |
Battle Creek |
Palm Beach Gardens |
Livonia |
Lawrence |
Cuyahoga Falls |
Lansing |
Worthington |
Stoughton |
Red Wing |
Broken Arrow |
Panama City |
White Plains |
Mattoon |
Homosassa |
Sauk Centre |
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| Keep it simple. - Alfred Eienstaedt | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| You learn to see by practice. It's just like | colorful picture but really be a picture about |
| playing tennis, you get better the more you | something. It's difficult. So often color gets |
| play. The more you look around at things, the | caught up in color, and it becomes merely |
| more you see. The more you photograph, the | decorative. Some photographers use [ it ] |
| more you realize what can be photographed | brilliantly to make visual statements combining |
| and what can't be photographed. You just have | color and content; otherwise it is empty. |
| to keep doing it. - Eliot Porter | - Mary Ellen Mark |
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