| Memory is very important, the memory of | There is nothing worse than a sharp image of |
| each photo taken, flowing at the same speed | a fuzzy concept. - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Once photography enters your bloodstream, |
| captured everything, because afterwards it will | it's like a disease. - Anon |
| be too late. - Henri Cartier Bresson | |
| | Photography is my passion. - Alfred |
| You've got to push yourself harder. You've got | Stieglitz |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | Above all, it's hard learning to live with vivid |
| probe deeper. - William Albert Allard | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Houston |
Miami |
Brooklyn |
Baltimore |
Salt Lake City |
Providence |
Scottsdale |
Mesa |
Punta Gorda |
Murray |
Minneapolis |
Winchester |
Rowland Heights |
Springfield |
Metropolis |
St. Simons Island |
Del Mar |
Hernando |
Shelton |
Reading |
Arnold |
New Ulm |
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| You learn to see by practice. It's just like | One should really use the camera as though |
| playing tennis, you get better the more you | tomorrow you'd be stricken blind. |
| play. The more you look around at things, the | - Dorothea Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | The difficulty with color is to go beyond the |
| and what can't be photographed. You just have | fact that it's color to have it be not just a |
| to keep doing it. - Eliot Porter | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| A room hung with pictures is a room hung with | caught up in color, and it becomes merely |
| thoughts. - Sir Joshua Reynolds | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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