| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A picture is the expression of an impression. If |
| "Does this subject move me to feel, think | the beautiful were not in us, how would we |
| and dream? Can I visualize a print - my own | ever recognize it? - Ernst Haas |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | A good picture is equivalent to a good deed. |
| - Ansel Adams | - Vincent Van Gogh |
| | |
| Once photography enters your bloodstream, | I think the best pictures are often on the edges |
| it's like a disease. - Anon | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|
|
Houston |
New York |
Las Vegas |
Grand Rapids |
Davenport |
Fort Myers |
Manchester |
Pembroke Pines |
Los Angeles |
Lubbock |
Philadelphia |
Gadsden |
Sikeston |
Florence |
Palatka |
Montebello |
Idabel |
Kailua Kona |
Donalsonville |
Geneva |
Morgantown |
Morris |
|
|
| My own eyes are no more than scouts on a | I think you have to have a real point of view |
| preliminary search, for the camera's eye may | that's your own. You have to tell it your way. |
| entirely change my idea. - Edward | And, I think that it's a mistake to shoot for a |
| Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| A mad, keen photographer needs to get out | for yourself and photograph [the way] you |
| into the world and work and make mistakes. | believe it. - Mary Ellen Mark |
| - Sam Abell | |
| | Photography is a major force in explaining |
| One should really use the camera as though | man to man. - Edward Steichen |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
|