| Keep it simple. - Alfred Eienstaedt | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| A great photograph is one that fully expresses | artist, but the impulse it gives him to keep on |
| what one feels, in the deepest sense, about | looking. - Brooks Anderson |
| what is being photographed. - Ansel | |
| Adams | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | One should really use the camera as though |
| situation nearly as interesting as | tomorrow you'd be stricken blind. |
| photographing the edges. - William Albert | - Dorothea Lange |
| Allard | |
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Houston |
Brooklyn |
Boulder |
Mesquite |
Syracuse |
Longwood |
Bronx |
Naples |
Kokomo |
Salem |
St. Cloud |
East Liverpool |
Silverdale |
Columbia |
Gardendale |
Warren |
Delray Beach |
Springfield |
Greencastle |
Boonville |
Des Moines |
Easton |
Rolling Meadows |
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| [Photography] is a way of feeling, of touching, | Pictures you have taken have an influence on |
| of loving. What you have caught on film is | those that you are going to make. |
| captured forever . . . it remembers little things, | That's life! - John Sexton |
| long after you have forgotten everything. | |
| - Aaron Siskind | ...words and pictures can work together to |
| | communicate more powerfully than either |
| It is not the language of painters but the | alone. -William Albert Allard |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | Memory is very important, the memory of |
| reality, is more important than the feeling for | each photo taken, flowing at the same speed |
| pictures. - Vincent Van Gogh | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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