| Photography is a major force in explaining | "Simply look with perceptive eyes at the |
| man to man. - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You've got to push yourself harder. You've got | "Does this subject move me to feel, think |
| to start looking for pictures nobody else could | and dream? Can I visualize a print - my own |
| take. You've got to take the tools you have and | personal statement of what I feel and want to |
| probe deeper. - William Albert Allard | convey - from the subject before me?" |
| | - Ansel Adams |
| Photography is about finding out what can | |
| happen in the frame. When you put four | Photography takes an instant out of time, |
| edges around some facts, you change those | altering life by holding it still. - Dorothea |
| facts. - Gary Winogrand | Lange |
|
|
Los Angeles |
Richmond |
Portland |
Colorado Springs |
Portland |
Cookeville |
Tacoma |
Southgate |
Pulaski |
Pontiac |
Eastman |
Sacramento |
Chandler |
Brooksville |
Oceanside |
Elizabethtown |
Bossier City |
Fletcher |
Elizabeth |
Mccall |
Lake Lanier Atlanta |
Havre De Grace |
|
|
| A good picture is equivalent to a good deed. | One should really use the camera as though |
| - Vincent Van Gogh | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | The virtue of the camera is not the power it |
| unexposed film. - Robert Adams | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| I think the best pictures are often on the edges | looking. - Brooks Anderson |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | The difficulty with color is to go beyond the |
| photographing the edges. - William Albert | fact that it's color to have it be not just a |
| Allard | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|