| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| A good picture is equivalent to a good deed. | captured everything, because afterwards it will |
| - Vincent Van Gogh | be too late. - Henri Cartier Bresson |
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| You learn to see by practice. It's just like | Photography knows how to authenticate its |
| playing tennis, you get better the more you | misrepresentations. - Mason Cooley |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Philadelphia |
San Francisco |
Long Beach |
Delray Beach |
St. Louis |
Vicksburg |
Williamsville |
Laurel |
York |
Palm Coast |
Crawfordsville |
Woonsocket |
Stratford |
Lynchburg |
West Chester |
Staten Island |
Washington |
Newton |
Kennewick |
Evansville |
Lake Mary |
Purcell |
East Norriton |
Delmont |
St. Mary'S |
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| The camera makes everyone a tourist in other | Now to consult the rules of composition before |
| people's reality. - Susan Sontag | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Photography suits the temper of this ageof | Such rules and laws are deduced from the |
| active bodies and minds. It is a perfect | accomplished fact; they are the products of |
| medium for one whose mind is teeming with | reflection . . . - Edward Weston |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | It is not the language of painters but the |
| sculpting, for one who sees quickly and acts | language of nature which one should listen to. |
| decisively, accurately. - Edward Weston | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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