| The difficulty with color is to go beyond the | Photography is my passion. - Alfred |
| fact that it's color to have it be not just a | Stieglitz |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | "Simply look with perceptive eyes at the |
| caught up in color, and it becomes merely | world about you, and trust to your own |
| decorative. Some photographers use [ it ] | reactions and convictions. Ask yourself: |
| brilliantly to make visual statements combining | "Does this subject move me to feel, think |
| color and content; otherwise it is empty. | and dream? Can I visualize a print - my own |
| - Mary Ellen Mark | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Chicago |
Baton Rouge |
Shreveport |
Riverside |
Fayetteville |
Richmond |
Athens |
Garner |
Lima |
Beverly Hills |
Lubbock |
Tifton |
Hartsville |
Troy |
Yuma |
Hillsdale |
Eugene |
Benson |
Pawtucket |
Monroe |
Southgate |
Cedar Hill |
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| A great photograph is one that fully expresses | I think you have to have a real point of view |
| what one feels, in the deepest sense, about | that's your own. You have to tell it your way. |
| what is being photographed. - Ansel | And, I think that it's a mistake to shoot for a |
| Adams | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| Keep it simple. - Alfred Eienstaedt | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Pictures you have taken have an influence on |
| ever recognize it? - Ernst Haas | those that you are going to make. |
| | That's life! - John Sexton |
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