| I think you have to have a real point of view | My own eyes are no more than scouts on a |
| that's your own. You have to tell it your way. | preliminary search, for the camera's eye may |
| And, I think that it's a mistake to shoot for a | entirely change my idea. - Edward |
| specific magazine's point of view because it's | Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | The camera makes everyone a tourist in other |
| believe it. - Mary Ellen Mark | people's reality. - Susan Sontag |
| | |
| Photography is about finding out what can | Photography suits the temper of this ageof |
| happen in the frame. When you put four | active bodies and minds. It is a perfect |
| edges around some facts, you change those | medium for one whose mind is teeming with |
| facts. - Gary Winogrand | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Miami |
Rochester |
Brooklyn |
Austin |
Springfield |
Columbia |
Trenton |
Clinton Township |
Irvine |
Metairie |
Costa Mesa |
Santa Fe |
Billings |
Ocean City |
Batavia |
Marina Del Rey |
Conway |
Phenix City |
Newport News |
Kittanning |
Waldorf |
Albion |
Riverton |
Uncasville |
Adelanto |
|
|
| A room hung with pictures is a room hung with | Photography is my passion. - Alfred |
| thoughts. - Sir Joshua Reynolds | Stieglitz |
| | |
| A picture is the expression of an impression. If | It is not the language of painters but the |
| the beautiful were not in us, how would we | language of nature which one should listen to. |
| ever recognize it? - Ernst Haas | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| No place is boring, if you've had a good | pictures. - Vincent Van Gogh |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
|