| The virtue of the camera is not the power it | Now to consult the rules of composition before |
| has to transform the photographer into an | making a picture is a little like consulting the |
| artist, but the impulse it gives him to keep on | law of gravitation before going for a walk. |
| looking. - Brooks Anderson | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| The difficulty with color is to go beyond the | reflection . . . - Edward Weston |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | [Photography] is a way of feeling, of touching, |
| something. It's difficult. So often color gets | of loving. What you have caught on film is |
| caught up in color, and it becomes merely | captured forever . . . it remembers little things, |
| decorative. Some photographers use [ it ] | long after you have forgotten everything. |
| brilliantly to make visual statements combining | - Aaron Siskind |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Orlando |
Las Vegas |
Atlanta |
Charlotte |
San Jose |
Walnut Creek |
Winchester |
Stockton |
Wilmington |
Bellevue |
Jacksonville |
Glendora |
Fair Lawn |
Alliance |
Enid |
Wichita Falls |
Massena |
Youngstown |
Columbus |
Corpus Christi |
Salida |
Imlay City |
Jacksonville |
Hobart |
Jasper |
Steamboat Springs Hilltop |
St. Cloud |
Sardis |
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| Photography records the gamut of feelings | A good picture is equivalent to a good deed. |
| written on the human face, the beauty of the | - Vincent Van Gogh |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | A picture is the expression of an impression. If |
| - Edward Steichen | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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