| Above all, it's hard learning to live with vivid | Photography records the gamut of feelings |
| mental images of scenes I cared for and failed | written on the human face, the beauty of the |
| to photograph. It is the edgy existence within | earth and skies that man has inherited and the |
| me of these unmade images that is the only | wealth and confusion man has created. |
| assurance that the best photographs are yet to | - Edward Steichen |
| be made. - Sam Abell | |
| | Memory is very important, the memory of |
| Once photography enters your bloodstream, | each photo taken, flowing at the same speed |
| it's like a disease. - Anon | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Brooklyn |
Philadelphia |
Pittsburgh |
Dallas |
San Diego |
Jackson |
Palo Alto |
Rapid City |
Los Angeles |
Mentor |
Pompano Beach |
Anderson |
Laurinburg |
Rome |
Englewood |
Redlands |
Fayetteville |
Fairfield |
Redondo Beach |
Hancock |
Stuart |
Framingham |
El Reno |
Sylacauga |
Sunrise |
Perryville |
Elmhurst |
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| A great photograph is one that fully expresses | The virtue of the camera is not the power it |
| what one feels, in the deepest sense, about | has to transform the photographer into an |
| what is being photographed. - Ansel | artist, but the impulse it gives him to keep on |
| Adams | looking. - Brooks Anderson |
| | |
| Sometimes you can tell a large story with a | A mad, keen photographer needs to get out |
| tiny subject. - Eliot Porter | into the world and work and make mistakes. |
| | - Sam Abell |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | The difficulty with color is to go beyond the |
| play. The more you look around at things, the | fact that it's color to have it be not just a |
| more you see. The more you photograph, the | colorful picture but really be a picture about |
| more you realize what can be photographed | something. It's difficult. So often color gets |
| and what can't be photographed. You just have | caught up in color, and it becomes merely |
| to keep doing it. - Eliot Porter | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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