| One should really use the camera as though | Photography takes an instant out of time, |
| tomorrow you'd be stricken blind. | altering life by holding it still. - Dorothea |
| - Dorothea Lange | Lange |
| | |
| The difficulty with color is to go beyond the | Above all, it's hard learning to live with vivid |
| fact that it's color to have it be not just a | mental images of scenes I cared for and failed |
| colorful picture but really be a picture about | to photograph. It is the edgy existence within |
| something. It's difficult. So often color gets | me of these unmade images that is the only |
| caught up in color, and it becomes merely | assurance that the best photographs are yet to |
| decorative. Some photographers use [ it ] | be made. - Sam Abell |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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San Antonio |
Phoenix |
Sarasota |
Baltimore |
Flint |
Norwood |
Dalhart |
West Warwick |
Westfield |
Price |
Oxford |
Washington |
Marysville |
Bowie |
London |
Beaufort |
Ocean Springs |
Villa Rica |
Williamsburg |
Hudson |
Stamford |
New Market |
Lenox |
Southgate |
Kihei, Maui |
Sauk Centre |
Monteagle |
Huntington Station |
Vineyard Haven |
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| Sometimes you can tell a large story with a | Photography is a major force in explaining |
| tiny subject. - Eliot Porter | man to man. - Edward Steichen |
| | |
| A picture is the expression of an impression. If | I think you have to have a real point of view |
| the beautiful were not in us, how would we | that's your own. You have to tell it your way. |
| ever recognize it? - Ernst Haas | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| You learn to see by practice. It's just like | never going to be as good. You have to shoot |
| playing tennis, you get better the more you | for yourself and photograph [the way] you |
| play. The more you look around at things, the | believe it. - Mary Ellen Mark |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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