| Photography takes an instant out of time, | One should really use the camera as though |
| altering life by holding it still. - Dorothea | tomorrow you'd be stricken blind. |
| Lange | - Dorothea Lange |
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| There is nothing worse than a sharp image of | A mad, keen photographer needs to get out |
| a fuzzy concept. - Ansel Adams | into the world and work and make mistakes. |
| | - Sam Abell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | I almost never set out to photograph a |
| reactions and convictions. Ask yourself: | landscape, nor do I think of my camera as a |
| "Does this subject move me to feel, think | means of recording a mountain or an animal |
| and dream? Can I visualize a print - my own | unless I absolutely need a 'record shot'. My |
| personal statement of what I feel and want to | first thought is always of light. - Galen |
| convey - from the subject before me?" | Rowell |
| - Ansel Adams | |
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Los Angeles |
Atlanta |
Jacksonville |
Sarasota |
Oklahoma City |
Tampa |
Knoxville |
Des Moines |
Syracuse |
Henderson |
Fort Smith |
Davenport |
Union |
San Bernardino |
Alpharetta |
Hickory |
Newnan |
Brunswick |
Lebanon |
Thomson |
Wauwatosa |
Bay City |
Brenham |
Youngstown |
Beaverton |
Danville |
Jamaica |
Smithtown |
Forney |
South Sioux City |
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| Sometimes you can tell a large story with a | Photography is a major force in explaining |
| tiny subject. - Eliot Porter | man to man. - Edward Steichen |
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| Keep it simple. - Alfred Eienstaedt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| A great photograph is one that fully expresses | as the event. During the work, you have to be |
| what one feels, in the deepest sense, about | sure that you haven't left any holes, that you've |
| what is being photographed. - Ansel | captured everything, because afterwards it will |
| Adams | be too late. - Henri Cartier Bresson |
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