| The difficulty with color is to go beyond the | I think the best pictures are often on the edges |
| fact that it's color to have it be not just a | of any situation, I don't find photographing the |
| colorful picture but really be a picture about | situation nearly as interesting as |
| something. It's difficult. So often color gets | photographing the edges. - William Albert |
| caught up in color, and it becomes merely | Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | You can find pictures anywhere. It's simply a |
| color and content; otherwise it is empty. | matter of noticing things and organizing them. |
| - Mary Ellen Mark | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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Houston |
Chicago |
San Antonio |
West Palm Beach |
Detroit |
Riverside |
Lakeland |
Winter Haven |
Chula Vista |
Springfield |
Wilson |
Clayton |
Manassas |
Fairfax |
Hendersonville |
Trumbull |
Long Beach |
Bellefourche |
Ashland |
Fort Myers Beach |
Dulles |
Moline |
Torrey |
Ennis |
Fraser |
St George |
Capitola |
Kirkland |
Sergeant Bluff |
Fair Lawn |
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| Photography is my passion. - Alfred | You've got to push yourself harder. You've got |
| Stieglitz | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| "Simply look with perceptive eyes at the | probe deeper. - William Albert Allard |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | Photography records the gamut of feelings |
| "Does this subject move me to feel, think | written on the human face, the beauty of the |
| and dream? Can I visualize a print - my own | earth and skies that man has inherited and the |
| personal statement of what I feel and want to | wealth and confusion man has created. |
| convey - from the subject before me?" | - Edward Steichen |
| - Ansel Adams | |
|