| Photography knows how to authenticate its | A picture is the expression of an impression. If |
| misrepresentations. - Mason Cooley | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | You learn to see by practice. It's just like |
| take. You've got to take the tools you have and | playing tennis, you get better the more you |
| probe deeper. - William Albert Allard | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| Memory is very important, the memory of | more you realize what can be photographed |
| each photo taken, flowing at the same speed | and what can't be photographed. You just have |
| as the event. During the work, you have to be | to keep doing it. - Eliot Porter |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| It is not the language of painters but the | The camera makes everyone a tourist in other |
| language of nature which one should listen to. | people's reality. - Susan Sontag |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | My own eyes are no more than scouts on a |
| pictures. - Vincent Van Gogh | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Photography is my passion. - Alfred | Weston |
| Stieglitz | |
| | The virtue of the camera is not the power it |
| Photography takes an instant out of time, | has to transform the photographer into an |
| altering life by holding it still. - Dorothea | artist, but the impulse it gives him to keep on |
| Lange | looking. - Brooks Anderson |
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